Re: All Too Human *Series* (AU, TEEN), Chapter 28, 5/11
Posted: Sun May 18, 2008 4:21 pm
Hello and thank you to everyone reading!
CHAPTER TWENTY-NINE
July 8, 1959, 11:30 p.m.
Roswell
"I cannot work under these conditions!" the actor exclaimed, ripping off his alien mask and gulping air like a dying man. "It's too damned hot!"
"Of course it's hot," the director retorted. "You weren't hired to be hot, you were hired to wear that mask, and do what I tell you!"
"I also wasn't hired to not breathe," the actor shot back. "I can't see, and I'm suffocating in this thing! Why can't our masks be like his?" he added, pointing to another "alien" with a noticeably larger mask.
"Because he's the alien king," the director explained impatiently. "You're all running toward your king, and you can tell he's the king because he has a bigger head. Isn't that obvious? Put that mask back on and take your position!"
Brivari watched as the actor swore only slightly under his breath before pulling the mask over his head and heading over to his patch of similarly air-starved fellow "aliens" in the wide field where tonight's filming was taking place. This particular scene was supposed to involve the aliens taking their captive—Audrey—back to their king in the field where their ship had landed. The "ship" in question was every bit as laughable as the notion that alien kings had bigger heads than their subjects, a hastily thrown together affair made of wood, painted black, and festooned with strings of electric lights that looked suspiciously like the type used on Christmas trees. The fact that their cargo ship actually did have lights was the one and only point where reality and fantasy met.
"Places!" the director called as Brivari chalked a "6" on the clapper, the means by which the humans marked each attempt to film a scene to their liking. The cameras began rolling, and Brivari clapped the clapboard in front of the lead camera and retreated.
"You know, you're supposed to actually say 'Take 6'," the director said acidly.
"Why?" Brivari asked. "Can't you read?"
The stillness which followed made it clear that it wasn't only the aliens who weren't breathing. Word of Brivari's altercation with "Larry" had clearly made the rounds by the time filming had begun this evening, and he had arrived at the new filming location to find himself the subject of intense scrutiny. Audrey had greeted him cheerfully, apparently harboring no ill will over his supposedly rude behavior earlier, and the producer had clearly been relieved that he'd returned, but everyone else had seemed almost afraid of him, as though one who could influence their director's behavior was more fearful than the director himself. Brivari had said nothing, mindful of the fact that the less one said, the more one was listened to when one finally spoke, a lesson which Zan had actually learned well. The director also had said nothing, merely glaring at Brivari as he nursed his continuing shock from this morning that someone had successfully challenged him. Such shock was typical of the career bully, and never lasted long. "Larry's" had apparently worn off.
"I know you've never done this before, so allow me to clue you in on the requirements of your job," Larry said, his voice dripping sarcasm. "You announce the take number so the cast and crew will know how many takes we've already done. Clear?"
"No," Brivari answered calmly. "Assuming everyone can hear me, a dubious assumption at best given the number of people present, of what benefit is such information?"
Larry's face reddened in a most satisfying way as mouths gaped as this impudence. "Perhaps you can help me," Brivari continued, addressing the lead camera operator. "I was given to understand that the numbering of takes assisted in the editing process, where one is sifting through several renditions of the same scene. But what purpose does announcing this information serve on the set? Will anything be done differently because of the number which is announced mere seconds before filming begins?"
The camera operator blinked. "Uh......no," he admitted. "Well, it won't!" he added defiantly as the director threw his hands up in the air in a gesture of either defeat or irritation. "The take number only really matters in the editing room. You know that."
Brivari kept his expression carefully blank as Larry threw a withering glare in his direction. This had been happening all evening; emboldened by this morning's clash, those employed here had begun challenging their director's behavior. No doubt the director held him responsible for that, and Brivari couldn't have been happier to take the blame.
"Places!" Larry bellowed, apparently deciding not to fight this particular battle. "Ready.....action!"
The horde of fake aliens promptly picked up the bound and gagged Audrey and carried her toward their "ship". Halfway there, the alien king stumbled and fell, causing an alien pile up behind him, domino style. Audrey squealed as she was tossed unceremoniously to the ground, fortunately landing atop a satellite pile of aliens.
"What now?" Larry demanded. "Doesn't anyone on this godforsaken set know how to walk? I'm not even asking you to walk and talk, just walk! What the hell is the matter with you?"
"Larry, we can't see in these things!" one of the aliens exclaimed, extricating himself from his fellow extraterrestrials. "You have to let the costumers cut bigger holes in the masks, or we'll never get this movie shot!"
"I can't have human eyes starting out of an alien face!" Larry objected.
"Then cut holes where the nose is," another actor suggested.
"Everyone knows aliens don't have nostrils!" Larry declared. "We're going for realism here!"
And failing, Brivari thought, rolling his eyes as the argument escalated, the decibel level rising until Larry finally lost his temper much as he had this morning, flinging his chair to one side as everyone backed up in alarm. "Enough!" he roared. "Anyone who isn't on their mark in ten seconds is fired!"
"Give us holes in our masks, or I quit!" an actor declared.
"You can't quit!" Larry protested. "You have a contract!"
"Watch me!" declared the actor, throwing his mask on the ground as others quickly followed suit.
"What's going on here?" another voice barked.
It was the producer, with Audrey, now freed, on his heels. Accusations, arguments, and a great deal of finger pointing and shaking ensued, much like it had this morning. Sweating profusely, Morton Steinfeld finally drew Brivari aside.
"Help me out here, Langley," he begged. "What do I do?"
"Does your director have the authority to dismiss someone?" Brivari asked.
Steinfeld blinked. "What?"
"This contract they speak of," Brivari clarified. "With whom was it made?"
"Well....it's with the production company, and as their representative, only I have the authority to hire and fire," Steinfeld replied.
"So in other words, your director is attempting to wield authority he does not possess. Why would you let him do that?"
"Because I need him," Steinfeld said urgently. "Do you have any idea how hard it was to find a director for a measly little production like this?"
"Do you have any idea how hard it is to regain authority you have ceded to someone else?" Brivari countered. "Not to mention that allowing him to wield authority he does not possess will embolden both him and others to challenge you as well. Let me tell you something I once told someone else whose authority was being questioned—you must decide who is in charge here, and if that someone is you, be prepared to fend off attempts to wrest that authority from you because there will always be someone willing to try."
Audrey appeared behind them, flanked by four actors. "Morty, these gentlemen would like a word with you," she said. "Go on," she coaxed, prodding one of the actors. "Tell him!"
"We want masks that let us do our jobs, or we quit," one of the actors declared. "All of us, right here, right now. I mean it, Morty; we're out of here unless we get what we need."
Steinfeld pulled Brivari further away. "What do I do?" he wailed, sotto voiced. "I can't replace a couple dozen actors or a director on short notice!"
"I will ask you again," Brivari said deliberately. "Who is in charge here?"
Steinfeld swallowed hard. "If I tell him off, he might quit."
"Then let him. If he feels he is irreplaceable, there will be no stopping him."
"But I risk—"
"There is risk either way," Brivari interrupted. "I repeat—who is in charge here?"
"But—"
"Who is in charge here?"
Steinfeld stared at him a moment, then glanced at Larry, who was glowering behind the revolting aliens. "I am," he said finally, haltingly. "I am in charge."
"Don't just say it," Brivari advised. "Sound like it. Convince me. Convince them." He leaned in closer, lowering his voice. "Play the part."
That last instruction seemed to resonate with Morton Steinfeld, who lived in a world where everyone played a part; his eyes widened and appeared a good deal harder as he approached the group awaiting his verdict. "We'll fix the masks," he told the actors. "And before you say a word," he continued severely to the director, who has about to erupt, "I'd like to make one thing clear: I decide who comes and goes on this set. That's in my contract."
"Is that a threat?" Larry demanded.
"It appears to be a simple statement of fact," Brivari offered.
"Exactly," Steinfeld agreed. "A simple statement of fact."
"Then let me add another 'simple statement of fact'," Larry ground out. "I quit!"
"Go right ahead," Steinfeld retorted. "I'll be sure to have our lawyers invoke the clause in your contract about leaving without sufficient notice. Everyone, we're done for the night!" he called to the rest of the set. "I'll have the costumer fix the masks, and I'll see you all tomorrow."
Hearty applause met this announcement, coupled with shock on the faces of the "aliens" who clearly hadn't expected to prevail, along with shock on the face of Larry, who clearly had expected to. He stood there for a full minute, glaring at everyone in turn, his eyes protruding what looked to be dangerous dimensions from his face. Finally he stalked off into a nearby trailer, banging the door so hard behind him that the entire trailer shook.
"Morty, you were magnificent!" Audrey exclaimed, throwing her arms around the producer. "I knew you had it in you!"
But whatever internal fire had lit Steinfeld had now gone out. "What have I done?" he whispered. "Why did I say that? If he quits—"
"Then good riddance," Audrey said firmly. "Who needs him? You could direct this movie yourself, if you have to. How much direction do we need to run around and scream? Cheer him up, boys!" she called to the enthusiastic crew. "Tell'im he did good!"
Steinfeld was immediately engulfed by grateful cast and crew members, who whisked him away on a tide of gratitude. "He'll be okay," Audrey assured Brivari. "He just needs a little time. And somebody to give him a good kick in the pants," she added. "What did you say to him?"
"I would imagine your little uprising had as much to do with this as anything I said," Brivari answered.
"It was your idea," Audrey said. "You asked me this morning what would happen if a bunch of us left, and I've been thinking about it all day. Didn't really expect it to work, though. And I'll probably catch hell for it when Larry quits."
"He won't quit," Brivari said.
Audrey raised an eyebrow. "And how would you know that? All that palace experience?"
Brivari smiled faintly. "Something like that."
"You know, you have a nice smile," Audrey said, flashing one of her own. "You should smile more often. Walk me home?"
"Of course," Brivari answered.
Ten minutes later, they were walking through the streets of Roswell, largely empty at this time of night save for the bars. "I am told that I was rude earlier when I declined to walk you home," Brivari said after several minutes of silence. "Is that true?"
"Well....most guys would have offered," Audrey allowed.
"I wish you to know why I declined," Brivari said. "I deplore this habit of treating women as though they were helpless. You are unquestionably one of the least helpless women I have ever met."
Audrey stopped short and stared at him, and for a moment, Brivari thought he had made yet another misstep until she broke into a wide smile. "Why, Langley.....I do believe that's the nicest thing any man has ever said to me."
*****************************************************
July 9, 1959, 7 a.m.
Parker's Diner
The bell on the door jingled as James Atherton opened the door to Parker's, which was crowded even at this early hour, the crew of the movie having lost no time discovering it. It was a miracle his usual booth was available, and he slid into it before anyone else claimed it, feasting his eyes on the tiny thread of Hollywood that had descended on Roswell. This was why he was here, even though the movie being made was laughable—for the sheer experience of being close to a Hollywood movie set. Well, that and the fact that he happened to know that several serious alienologists had taken up residence in Roswell for the purpose of protesting what they considered to be the movie's inaccuracies. The term "inaccuracies" didn't even begin to describe the nonsense he'd witnessed yesterday, and Atherton was eager to hear what these alien aficionados had to say. Which was precisely why he was here as James Anderson; no serious alienologist would waste a moment's time on the farce that James Atherton had become. But that farce brought in good money, so Atherton was content to lodge his true psyche in the pseudonym of Anderson while his legal persona raked in the bucks from people terrified of exactly the type of claptrap this movie conveyed, the very same people Hollywood hoped would buy tickets to see it. A distressing relationship, to be sure, but a lucrative one nonetheless.
"Is this seat taken?"
Atherton gaped at the vision that hovered beside his table. "Miss Tate!" he exclaimed, springing to his feet. "This is indeed an honor! Of all the people you could have sat with....I must say, I'm speechless!"
Miss Tate beamed at him, red lips on creamy alabaster skin. "It's Mr. Anderson, right?" she smiled, rendering him weak in the knees. "Well, Mr. Anderson, you're very kind, but I have a confession to make—I was looking for Langley. Have you seen him?"
Langley? Atherton shook his head as he wondered anew what in the world a bombshell like Audrey Tate would want with a homely man like Langley. Granted, Atherton was no Errol Flynn, but still....what could be the attraction? It was maddeningly frustrating to have to watch from afar as his silent, brooding friend marched his way into a job on the set on the very first day of filming and walked off with a beautiful actress, all without seeming to realize his good fortune. "I was looking for him myself," Atherton admitted, "but you're certainly welcome to have a seat whilst we both look."
" 'Whilst'? Been awhile since I've heard that one."
"I'd be surprised if you'd ever heard it," Atherton chuckled. "No offence," he continued hastily as Miss Tate's expression chilled slightly. "It's just not a common expression this side of the Atlantic."
"Of course," Miss Tate said, sounding unconvinced.
"Ah!" Atherton said, grateful for the chance to change the subject as Courtney appeared with a pot of coffee. "Coffee for myself and the lady, please. You haven't seen Langley today, have you Miss Harris? We're both looking for him."
Courtney's eyes darted from Atherton to Miss Tate, the coffee stream swerving as they did so. "She's looking for him?" she echoed in surprise.
"This is Miss Tate, the lead actress in the movie," Atherton said, wondering if bad manners were communicable. "Miss Tate, this is Miss Harris, our usual morning waitress."
"So glad to meet you, dear," Miss Tate smiled.
"You too," Courtney said faintly. "And no, I haven't seen him this morning. Sorry," she added, sounding anything but.
"She's a bit high strung," Atherton confided after Courtney left. "Very emotional. Had a bit of a breakdown the other day, running out of here in a panic."
"She's young," Miss Tate said. "I was more emotional when I was her age." She paused, tapping red nails on the table. "Do you happen to know where Langley lives, Mr. Anderson?"
"As a matter of fact, I don't," Atherton replied.
"Well, he must live somewhere. And it must be somewhere nearby because I've only ever seen him on foot."
Atherton hesitated. "May I ask you a personal question, Miss Tate?"
She cocked an eyebrow, leaning her chin on one hand. "I'll tell you the same thing I've told the other million people who've asked me that: You can ask, but there's no guarantee I'll answer."
Atherton smiled slightly. "Fair enough. What exactly do you see in Langley? I realize you're grateful for him 'rescuing' you, but he is seriously lacking in social skills. He treated you dreadfully yesterday, and didn't seem to realize it even when I pointed it out to him."
"That's what I thought," Miss Tate admitted. "At first." She paused, then reached across the table and took Atherton's hand. "Tell me something, Mr. Anderson—"
"James," Atherton interrupted. "Please, dear, call me James."
"James it is," she agreed. "What was the very first thing you noticed about me, James?"
"Your beautiful smile," Atherton answered promptly.
Miss Tate promptly shot him a dazzling example. "Don't lie to me, James."
Atherton blinked. "Lie? I.....well, I.....well, you're an extraordinarily beautiful woman, and...."
"And?" she prompted.
"And you do have a lovely smile," he insisted. "I'm not lying about that."
"But you are lying about the first thing you noticed," she said. "Actually, I should say 'things', plural. As in two," she added, glancing down at her chest.
Atherton flushed so fiercely it was physically painful. It didn't help that she was absolutely right. "Miss Tate, please!" he sputtered. "I don't know what you're talking about! I—"
"Steady there, Jamie," Miss Tate said calmly. "It's not like I don't know they're there. Have been ever since I was twelve. They always get someplace a good five minutes before I do. I know that's the first thing men notice about me even if you don't want to admit it. I see their eyes, see what they look at. I saw your eyes....and you weren't looking at my beautiful smile."
"This is a most uncomfortable conversation," Atherton said stiffly, making certain his eyes were somewhere, anywhere else but on Miss Tate's considerable assets. "And I don't see what you're getting at."
"Here's the thing," she said, leaning in closer. "All my life, I've always only been noticed for my looks. I heard it the whole time I was growing up—'What a pretty girl!', and 'Keep a shotgun handy for that one!' I've never had a man tell me I was smart. Not that I'm not smart," she added. "I'm smart, and I know it. I work hard to keep it to myself because men don't like smart women." She paused. "And then I met Langley."
"I gather he told you you were smart?" Atherton ventured.
"He does more than that," Miss Tate said. "He treats me like I'm smart. This is the first time in my entire life that I've met a man who thinks I'm smart and doesn't give a rat what I look like. Not only that, but he doesn't go for the 'treat her like a baby' bit because he says I'm one of the least helpless people he's ever met."
"Sounds like a convenient excuse for poor manners," Atherton grumbled.
"With any other man, it probably would be," Miss Tate agreed. "But not Langley. He means it. He's the strangest person I've ever met, but when he looks at me, he doesn't see what everyone else sees. That's never happened to me before.....and I like it."
"I'm sorry I made such a poor impression on you," Atherton said unhappily. "If it means anything to you, I've never equated physical beauty with stupidity, and never intended to imply such."
"Aw, you're sweet," Miss Tate smiled. "Don't worry, James, you've been nothing but nice to me. And so has Langley, just in a different way."
"I'll grant you he's an odd duck," Atherton allowed. "I get the impression he doesn't get out much."
"Do you know what he does for a living?" Miss Tate asked. "I can't get him to tell me a thing about himself."
"He certainly hasn't been forthcoming to me," Atherton said, "but I gather he's some sort of personal guard to someone of great wealth or importance. I was given to understand that his work involved a good deal of subterfuge and disguise."
"And bullies," Miss Tate said thoughtfully, "because he certainly knows how to deal with those types. And he said something to me about working in a palace."
Atherton's eyes widened. "A palace, you say? That would explain a lot. He could be some sort of royal secret service agent."
"Then what's he doing here? Is he on vacation?"
"I doubt Langley knows the meaning of the word," Atherton chuckled. "And he's been here for some time now, long enough to make a friend in the area whose death distressed him greatly."
"Oh," Miss Tate said slowly. "Maybe that's why he's so quiet."
"I'm afraid not," Atherton said. "He was every bit as quiet and tight-lipped before his friend died. No, our Langley is a puzzle. And as I said, not the only one who finds you intelligent, I assure you," he added, dropping his eyes to the tabletop, feeling himself blush again. "Is it permissible to find you both intelligent and beautiful?"
She flashed that dazzling smile again, reaching across the table and patting his hand. "Sure it is, sweetie. Nice talking to you."
"Won't you stay for breakfast?" Atherton said hopefully. "Langley may show up."
"I'll look for him myself, but thanks anyway. Bye."
Atherton sighed heavily as she sashayed out of the diner, every male head turning in admiration and no doubt paying not one bit of attention to her brain, which was admittedly hard to notice when so many other things were swaying before your eyes.
"What are you having this morning?"
Courtney had reappeared, looking questioningly at the empty seat opposite him. "A ham and cheese omelet, and an explanation," Atherton answered. "What in the world would a woman like that see in a man like Langley? What does he have that I don't?"
Courtney glanced up briefly as the bell on the door dingled, signaling Miss Tate's departure. "Trust me," she said as she scribbled on her pad, "you wouldn't believe me if I told you."
*****************************************************
2:30 p.m.
Mrs. Bruce's rooming house
Sweating profusely, Courtney stepped gratefully into the cool of the front hallway and started slowly up the steps. It was beastly hot today; just the walk home had taken its toll on her. Not having slept much last night hadn't helped; the phone had rung over and over, six to eight rings about once every hour, and she hadn't been able to bring herself to pick it up. It was undoubtedly her father calling, and he would undoubtedly be frantic that she wasn't answering, but she just wasn't ready to talk to him yet. She should probably just answer the phone and tell him that instead of leaving him to imagine what could have happened to her in the proximity of Covari, but she dreaded that conversation almost as much as she dreaded seeing Dee again.
Reaching the top of the stairs, Courtney glanced over at Dee's closed door. Dee wouldn't be going to the diner; business had been slow after the morning rush, filming having apparently taken place somewhere outside town. Mr. Parker had called his extra waitresses and told them to stay home today, wisely deciding to build future work schedules around the filming schedule. I should go over, Courtney thought, hesitating at the top of the stairs. She should.....but she wasn't in the mood for that either. She wasn't in the mood for much of anything these days, and she unlocked the door to her room just as the phone rang again.
Courtney sank onto the bed and put her hands over her ears. Why did the Warders have to pick a world with such backward technology that they couldn't silence their communication devices? She'd seriously considered disconnecting the phone last night just so she could get some sleep, but that would have truly panicked her father. Like not answering didn't, she thought ruefully, imagining her father standing in their front hallway in the middle of the night as the phone rang and rang, wondering where she could be. And here she was not answering again, panicking him again, assuming he'd ever stopped. Everything she touched just went to hell these days.
"Would you like me to get that?"
Dee was in the doorway, looking every bit as awkward and uncertain as Courtney felt. "Where's Philip?" Courtney asked.
"Asleep," Dee answered. "He actually conked out early today. That phone's been ringing all morning," she added. "Over and over. If that's your father, he must be really worried."
"I'm sure he is," Courtney admitted, "but having you answer isn't going to make him any less worried."
"You sure?" Dee asked as the ringing continued incessantly. "I could tell him you're in the bathroom."
"And then he'd think you'd killed me if I didn't call back in short order," Courtney said. "What I'd really like is a way to shut that thing up without disconnecting it."
"You mean like turn the bell off? That would be nice, especially since we have to sleep in the same room as the phone. Maybe Malik could fix it to work that way."
"No thanks," Courtney said quickly, refraining from pointing out that she'd rather listen to the phone ring all day and all night then be anywhere near a Covari.
The ringing stopped, sending a wave of guilt her way as she imagined her frantic father hanging up on his end. "You're going to have to answer it some time, you know," Dee said gently.
Courtney gave her a skeptical look. "Why do you care? I thought you didn't want anything to do with me."
"I didn't say that," Dee said levelly. "I said I didn't want you watching my son, that's all. You can hardly blame me under the circumstances." She paused. "I heard you found my Mama."
"She found me," Courtney corrected. "It was nice to talk to somebody's mother, even if she wasn't mine."
"She seems to be in a much better mood now that I've moved out," Dee observed. "And now you think I'm crazy for being mad at her, I'll bet."
Courtney shook her head. "No. Mothers are always harder on their own daughters. God knows mine was."
"You fought with your mother?"
"All the time. She didn't want me to go into the military. Never mind that my father was in the military, and all my brothers went into the military, and lots of my friends were going into the military; for some reason, I wasn't supposed to. Needless to say, I did anyway.....and now I'm not there so she can say 'I told you so'."
"If all your brothers are in the military, then why didn't one of them come too?" Dee asked.
Courtney smiled bitterly. "Because I'm better leverage. I'm the youngest, the least trained, and the one my father worries about the most. And the best one to keep him in line."
"Geez," Dee muttered. "I don't like the people you work for."
"Neither do I," Courtney sighed. "Neither do I."
They sat in silence on the bed for a moment, each lost in their own thoughts. "Malik talked to Jaddo," Dee said suddenly.
Courtney's heart nearly stopped. "He....he told him? About me?"
"Of course not," Dee said. "Do you really think you'd still be alive if he'd done that? It was just a hypothetical conversation, a 'what if' kind of thing."
"And?"
"And Jaddo said he would only deal with someone he'd dealt with before, from the last time your people tried to talk to his Ward. Is there anyone here like that?"
Oh, no. Courtney's heart went from racing, to slowing, to sinking as she realized what that meant. "My father led the delegation who approached Rath, but—"
"Then there's someone here he'd recognize," Dee said. "That's good!"
"That's bad," Courtney corrected. "He's wearing a husk and is virtually unrecognizable."
"Can't he take his husk off?"
"Not without killing the husk," Courtney answered. "Our husks.....connect with us. Break those connections, and they won't reform."
"Does he have a spare husk? Could he take off one and put on another?"
"No one has a spare husk," Courtney said. "That was made very clear to us on the way here, that we had to be very careful with our husks because they take such a long time to grow."
"So," Dee said slowly, "he can't identify himself without killing himself in the process."
"Exactly."
Dee was quiet for a moment. "There has to be a way to work this out," she said finally, with the conviction of one who just didn't understand. "We'll find a way."
Courtney managed a wan smile. "Sure we will."
The phone rang again, sounding louder than ever. "Are you sure you don't want me to answer that?" Dee offered.
"No, thanks," Courtney said quietly. "I'll get it."
Dee rose from the bed, pausing by the door. "Come on over after you talk to him. If you want. I don't mind."
"Okay," Courtney whispered.
Dee closed the door behind her as Courtney stared at the ringing phone. Here she'd been justifying not answering on the grounds that she had nothing to report. She should have answered it before, when she didn't have to tell the leader of the resistance that any chance of accomplishing their mission had just evaporated.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'll post Chapter 30 next Sunday.
CHAPTER TWENTY-NINE
July 8, 1959, 11:30 p.m.
Roswell
"I cannot work under these conditions!" the actor exclaimed, ripping off his alien mask and gulping air like a dying man. "It's too damned hot!"
"Of course it's hot," the director retorted. "You weren't hired to be hot, you were hired to wear that mask, and do what I tell you!"
"I also wasn't hired to not breathe," the actor shot back. "I can't see, and I'm suffocating in this thing! Why can't our masks be like his?" he added, pointing to another "alien" with a noticeably larger mask.
"Because he's the alien king," the director explained impatiently. "You're all running toward your king, and you can tell he's the king because he has a bigger head. Isn't that obvious? Put that mask back on and take your position!"
Brivari watched as the actor swore only slightly under his breath before pulling the mask over his head and heading over to his patch of similarly air-starved fellow "aliens" in the wide field where tonight's filming was taking place. This particular scene was supposed to involve the aliens taking their captive—Audrey—back to their king in the field where their ship had landed. The "ship" in question was every bit as laughable as the notion that alien kings had bigger heads than their subjects, a hastily thrown together affair made of wood, painted black, and festooned with strings of electric lights that looked suspiciously like the type used on Christmas trees. The fact that their cargo ship actually did have lights was the one and only point where reality and fantasy met.
"Places!" the director called as Brivari chalked a "6" on the clapper, the means by which the humans marked each attempt to film a scene to their liking. The cameras began rolling, and Brivari clapped the clapboard in front of the lead camera and retreated.
"You know, you're supposed to actually say 'Take 6'," the director said acidly.
"Why?" Brivari asked. "Can't you read?"
The stillness which followed made it clear that it wasn't only the aliens who weren't breathing. Word of Brivari's altercation with "Larry" had clearly made the rounds by the time filming had begun this evening, and he had arrived at the new filming location to find himself the subject of intense scrutiny. Audrey had greeted him cheerfully, apparently harboring no ill will over his supposedly rude behavior earlier, and the producer had clearly been relieved that he'd returned, but everyone else had seemed almost afraid of him, as though one who could influence their director's behavior was more fearful than the director himself. Brivari had said nothing, mindful of the fact that the less one said, the more one was listened to when one finally spoke, a lesson which Zan had actually learned well. The director also had said nothing, merely glaring at Brivari as he nursed his continuing shock from this morning that someone had successfully challenged him. Such shock was typical of the career bully, and never lasted long. "Larry's" had apparently worn off.
"I know you've never done this before, so allow me to clue you in on the requirements of your job," Larry said, his voice dripping sarcasm. "You announce the take number so the cast and crew will know how many takes we've already done. Clear?"
"No," Brivari answered calmly. "Assuming everyone can hear me, a dubious assumption at best given the number of people present, of what benefit is such information?"
Larry's face reddened in a most satisfying way as mouths gaped as this impudence. "Perhaps you can help me," Brivari continued, addressing the lead camera operator. "I was given to understand that the numbering of takes assisted in the editing process, where one is sifting through several renditions of the same scene. But what purpose does announcing this information serve on the set? Will anything be done differently because of the number which is announced mere seconds before filming begins?"
The camera operator blinked. "Uh......no," he admitted. "Well, it won't!" he added defiantly as the director threw his hands up in the air in a gesture of either defeat or irritation. "The take number only really matters in the editing room. You know that."
Brivari kept his expression carefully blank as Larry threw a withering glare in his direction. This had been happening all evening; emboldened by this morning's clash, those employed here had begun challenging their director's behavior. No doubt the director held him responsible for that, and Brivari couldn't have been happier to take the blame.
"Places!" Larry bellowed, apparently deciding not to fight this particular battle. "Ready.....action!"
The horde of fake aliens promptly picked up the bound and gagged Audrey and carried her toward their "ship". Halfway there, the alien king stumbled and fell, causing an alien pile up behind him, domino style. Audrey squealed as she was tossed unceremoniously to the ground, fortunately landing atop a satellite pile of aliens.
"What now?" Larry demanded. "Doesn't anyone on this godforsaken set know how to walk? I'm not even asking you to walk and talk, just walk! What the hell is the matter with you?"
"Larry, we can't see in these things!" one of the aliens exclaimed, extricating himself from his fellow extraterrestrials. "You have to let the costumers cut bigger holes in the masks, or we'll never get this movie shot!"
"I can't have human eyes starting out of an alien face!" Larry objected.
"Then cut holes where the nose is," another actor suggested.
"Everyone knows aliens don't have nostrils!" Larry declared. "We're going for realism here!"
And failing, Brivari thought, rolling his eyes as the argument escalated, the decibel level rising until Larry finally lost his temper much as he had this morning, flinging his chair to one side as everyone backed up in alarm. "Enough!" he roared. "Anyone who isn't on their mark in ten seconds is fired!"
"Give us holes in our masks, or I quit!" an actor declared.
"You can't quit!" Larry protested. "You have a contract!"
"Watch me!" declared the actor, throwing his mask on the ground as others quickly followed suit.
"What's going on here?" another voice barked.
It was the producer, with Audrey, now freed, on his heels. Accusations, arguments, and a great deal of finger pointing and shaking ensued, much like it had this morning. Sweating profusely, Morton Steinfeld finally drew Brivari aside.
"Help me out here, Langley," he begged. "What do I do?"
"Does your director have the authority to dismiss someone?" Brivari asked.
Steinfeld blinked. "What?"
"This contract they speak of," Brivari clarified. "With whom was it made?"
"Well....it's with the production company, and as their representative, only I have the authority to hire and fire," Steinfeld replied.
"So in other words, your director is attempting to wield authority he does not possess. Why would you let him do that?"
"Because I need him," Steinfeld said urgently. "Do you have any idea how hard it was to find a director for a measly little production like this?"
"Do you have any idea how hard it is to regain authority you have ceded to someone else?" Brivari countered. "Not to mention that allowing him to wield authority he does not possess will embolden both him and others to challenge you as well. Let me tell you something I once told someone else whose authority was being questioned—you must decide who is in charge here, and if that someone is you, be prepared to fend off attempts to wrest that authority from you because there will always be someone willing to try."
Audrey appeared behind them, flanked by four actors. "Morty, these gentlemen would like a word with you," she said. "Go on," she coaxed, prodding one of the actors. "Tell him!"
"We want masks that let us do our jobs, or we quit," one of the actors declared. "All of us, right here, right now. I mean it, Morty; we're out of here unless we get what we need."
Steinfeld pulled Brivari further away. "What do I do?" he wailed, sotto voiced. "I can't replace a couple dozen actors or a director on short notice!"
"I will ask you again," Brivari said deliberately. "Who is in charge here?"
Steinfeld swallowed hard. "If I tell him off, he might quit."
"Then let him. If he feels he is irreplaceable, there will be no stopping him."
"But I risk—"
"There is risk either way," Brivari interrupted. "I repeat—who is in charge here?"
"But—"
"Who is in charge here?"
Steinfeld stared at him a moment, then glanced at Larry, who was glowering behind the revolting aliens. "I am," he said finally, haltingly. "I am in charge."
"Don't just say it," Brivari advised. "Sound like it. Convince me. Convince them." He leaned in closer, lowering his voice. "Play the part."
That last instruction seemed to resonate with Morton Steinfeld, who lived in a world where everyone played a part; his eyes widened and appeared a good deal harder as he approached the group awaiting his verdict. "We'll fix the masks," he told the actors. "And before you say a word," he continued severely to the director, who has about to erupt, "I'd like to make one thing clear: I decide who comes and goes on this set. That's in my contract."
"Is that a threat?" Larry demanded.
"It appears to be a simple statement of fact," Brivari offered.
"Exactly," Steinfeld agreed. "A simple statement of fact."
"Then let me add another 'simple statement of fact'," Larry ground out. "I quit!"
"Go right ahead," Steinfeld retorted. "I'll be sure to have our lawyers invoke the clause in your contract about leaving without sufficient notice. Everyone, we're done for the night!" he called to the rest of the set. "I'll have the costumer fix the masks, and I'll see you all tomorrow."
Hearty applause met this announcement, coupled with shock on the faces of the "aliens" who clearly hadn't expected to prevail, along with shock on the face of Larry, who clearly had expected to. He stood there for a full minute, glaring at everyone in turn, his eyes protruding what looked to be dangerous dimensions from his face. Finally he stalked off into a nearby trailer, banging the door so hard behind him that the entire trailer shook.
"Morty, you were magnificent!" Audrey exclaimed, throwing her arms around the producer. "I knew you had it in you!"
But whatever internal fire had lit Steinfeld had now gone out. "What have I done?" he whispered. "Why did I say that? If he quits—"
"Then good riddance," Audrey said firmly. "Who needs him? You could direct this movie yourself, if you have to. How much direction do we need to run around and scream? Cheer him up, boys!" she called to the enthusiastic crew. "Tell'im he did good!"
Steinfeld was immediately engulfed by grateful cast and crew members, who whisked him away on a tide of gratitude. "He'll be okay," Audrey assured Brivari. "He just needs a little time. And somebody to give him a good kick in the pants," she added. "What did you say to him?"
"I would imagine your little uprising had as much to do with this as anything I said," Brivari answered.
"It was your idea," Audrey said. "You asked me this morning what would happen if a bunch of us left, and I've been thinking about it all day. Didn't really expect it to work, though. And I'll probably catch hell for it when Larry quits."
"He won't quit," Brivari said.
Audrey raised an eyebrow. "And how would you know that? All that palace experience?"
Brivari smiled faintly. "Something like that."
"You know, you have a nice smile," Audrey said, flashing one of her own. "You should smile more often. Walk me home?"
"Of course," Brivari answered.
Ten minutes later, they were walking through the streets of Roswell, largely empty at this time of night save for the bars. "I am told that I was rude earlier when I declined to walk you home," Brivari said after several minutes of silence. "Is that true?"
"Well....most guys would have offered," Audrey allowed.
"I wish you to know why I declined," Brivari said. "I deplore this habit of treating women as though they were helpless. You are unquestionably one of the least helpless women I have ever met."
Audrey stopped short and stared at him, and for a moment, Brivari thought he had made yet another misstep until she broke into a wide smile. "Why, Langley.....I do believe that's the nicest thing any man has ever said to me."
*****************************************************
July 9, 1959, 7 a.m.
Parker's Diner
The bell on the door jingled as James Atherton opened the door to Parker's, which was crowded even at this early hour, the crew of the movie having lost no time discovering it. It was a miracle his usual booth was available, and he slid into it before anyone else claimed it, feasting his eyes on the tiny thread of Hollywood that had descended on Roswell. This was why he was here, even though the movie being made was laughable—for the sheer experience of being close to a Hollywood movie set. Well, that and the fact that he happened to know that several serious alienologists had taken up residence in Roswell for the purpose of protesting what they considered to be the movie's inaccuracies. The term "inaccuracies" didn't even begin to describe the nonsense he'd witnessed yesterday, and Atherton was eager to hear what these alien aficionados had to say. Which was precisely why he was here as James Anderson; no serious alienologist would waste a moment's time on the farce that James Atherton had become. But that farce brought in good money, so Atherton was content to lodge his true psyche in the pseudonym of Anderson while his legal persona raked in the bucks from people terrified of exactly the type of claptrap this movie conveyed, the very same people Hollywood hoped would buy tickets to see it. A distressing relationship, to be sure, but a lucrative one nonetheless.
"Is this seat taken?"
Atherton gaped at the vision that hovered beside his table. "Miss Tate!" he exclaimed, springing to his feet. "This is indeed an honor! Of all the people you could have sat with....I must say, I'm speechless!"
Miss Tate beamed at him, red lips on creamy alabaster skin. "It's Mr. Anderson, right?" she smiled, rendering him weak in the knees. "Well, Mr. Anderson, you're very kind, but I have a confession to make—I was looking for Langley. Have you seen him?"
Langley? Atherton shook his head as he wondered anew what in the world a bombshell like Audrey Tate would want with a homely man like Langley. Granted, Atherton was no Errol Flynn, but still....what could be the attraction? It was maddeningly frustrating to have to watch from afar as his silent, brooding friend marched his way into a job on the set on the very first day of filming and walked off with a beautiful actress, all without seeming to realize his good fortune. "I was looking for him myself," Atherton admitted, "but you're certainly welcome to have a seat whilst we both look."
" 'Whilst'? Been awhile since I've heard that one."
"I'd be surprised if you'd ever heard it," Atherton chuckled. "No offence," he continued hastily as Miss Tate's expression chilled slightly. "It's just not a common expression this side of the Atlantic."
"Of course," Miss Tate said, sounding unconvinced.
"Ah!" Atherton said, grateful for the chance to change the subject as Courtney appeared with a pot of coffee. "Coffee for myself and the lady, please. You haven't seen Langley today, have you Miss Harris? We're both looking for him."
Courtney's eyes darted from Atherton to Miss Tate, the coffee stream swerving as they did so. "She's looking for him?" she echoed in surprise.
"This is Miss Tate, the lead actress in the movie," Atherton said, wondering if bad manners were communicable. "Miss Tate, this is Miss Harris, our usual morning waitress."
"So glad to meet you, dear," Miss Tate smiled.
"You too," Courtney said faintly. "And no, I haven't seen him this morning. Sorry," she added, sounding anything but.
"She's a bit high strung," Atherton confided after Courtney left. "Very emotional. Had a bit of a breakdown the other day, running out of here in a panic."
"She's young," Miss Tate said. "I was more emotional when I was her age." She paused, tapping red nails on the table. "Do you happen to know where Langley lives, Mr. Anderson?"
"As a matter of fact, I don't," Atherton replied.
"Well, he must live somewhere. And it must be somewhere nearby because I've only ever seen him on foot."
Atherton hesitated. "May I ask you a personal question, Miss Tate?"
She cocked an eyebrow, leaning her chin on one hand. "I'll tell you the same thing I've told the other million people who've asked me that: You can ask, but there's no guarantee I'll answer."
Atherton smiled slightly. "Fair enough. What exactly do you see in Langley? I realize you're grateful for him 'rescuing' you, but he is seriously lacking in social skills. He treated you dreadfully yesterday, and didn't seem to realize it even when I pointed it out to him."
"That's what I thought," Miss Tate admitted. "At first." She paused, then reached across the table and took Atherton's hand. "Tell me something, Mr. Anderson—"
"James," Atherton interrupted. "Please, dear, call me James."
"James it is," she agreed. "What was the very first thing you noticed about me, James?"
"Your beautiful smile," Atherton answered promptly.
Miss Tate promptly shot him a dazzling example. "Don't lie to me, James."
Atherton blinked. "Lie? I.....well, I.....well, you're an extraordinarily beautiful woman, and...."
"And?" she prompted.
"And you do have a lovely smile," he insisted. "I'm not lying about that."
"But you are lying about the first thing you noticed," she said. "Actually, I should say 'things', plural. As in two," she added, glancing down at her chest.
Atherton flushed so fiercely it was physically painful. It didn't help that she was absolutely right. "Miss Tate, please!" he sputtered. "I don't know what you're talking about! I—"
"Steady there, Jamie," Miss Tate said calmly. "It's not like I don't know they're there. Have been ever since I was twelve. They always get someplace a good five minutes before I do. I know that's the first thing men notice about me even if you don't want to admit it. I see their eyes, see what they look at. I saw your eyes....and you weren't looking at my beautiful smile."
"This is a most uncomfortable conversation," Atherton said stiffly, making certain his eyes were somewhere, anywhere else but on Miss Tate's considerable assets. "And I don't see what you're getting at."
"Here's the thing," she said, leaning in closer. "All my life, I've always only been noticed for my looks. I heard it the whole time I was growing up—'What a pretty girl!', and 'Keep a shotgun handy for that one!' I've never had a man tell me I was smart. Not that I'm not smart," she added. "I'm smart, and I know it. I work hard to keep it to myself because men don't like smart women." She paused. "And then I met Langley."
"I gather he told you you were smart?" Atherton ventured.
"He does more than that," Miss Tate said. "He treats me like I'm smart. This is the first time in my entire life that I've met a man who thinks I'm smart and doesn't give a rat what I look like. Not only that, but he doesn't go for the 'treat her like a baby' bit because he says I'm one of the least helpless people he's ever met."
"Sounds like a convenient excuse for poor manners," Atherton grumbled.
"With any other man, it probably would be," Miss Tate agreed. "But not Langley. He means it. He's the strangest person I've ever met, but when he looks at me, he doesn't see what everyone else sees. That's never happened to me before.....and I like it."
"I'm sorry I made such a poor impression on you," Atherton said unhappily. "If it means anything to you, I've never equated physical beauty with stupidity, and never intended to imply such."
"Aw, you're sweet," Miss Tate smiled. "Don't worry, James, you've been nothing but nice to me. And so has Langley, just in a different way."
"I'll grant you he's an odd duck," Atherton allowed. "I get the impression he doesn't get out much."
"Do you know what he does for a living?" Miss Tate asked. "I can't get him to tell me a thing about himself."
"He certainly hasn't been forthcoming to me," Atherton said, "but I gather he's some sort of personal guard to someone of great wealth or importance. I was given to understand that his work involved a good deal of subterfuge and disguise."
"And bullies," Miss Tate said thoughtfully, "because he certainly knows how to deal with those types. And he said something to me about working in a palace."
Atherton's eyes widened. "A palace, you say? That would explain a lot. He could be some sort of royal secret service agent."
"Then what's he doing here? Is he on vacation?"
"I doubt Langley knows the meaning of the word," Atherton chuckled. "And he's been here for some time now, long enough to make a friend in the area whose death distressed him greatly."
"Oh," Miss Tate said slowly. "Maybe that's why he's so quiet."
"I'm afraid not," Atherton said. "He was every bit as quiet and tight-lipped before his friend died. No, our Langley is a puzzle. And as I said, not the only one who finds you intelligent, I assure you," he added, dropping his eyes to the tabletop, feeling himself blush again. "Is it permissible to find you both intelligent and beautiful?"
She flashed that dazzling smile again, reaching across the table and patting his hand. "Sure it is, sweetie. Nice talking to you."
"Won't you stay for breakfast?" Atherton said hopefully. "Langley may show up."
"I'll look for him myself, but thanks anyway. Bye."
Atherton sighed heavily as she sashayed out of the diner, every male head turning in admiration and no doubt paying not one bit of attention to her brain, which was admittedly hard to notice when so many other things were swaying before your eyes.
"What are you having this morning?"
Courtney had reappeared, looking questioningly at the empty seat opposite him. "A ham and cheese omelet, and an explanation," Atherton answered. "What in the world would a woman like that see in a man like Langley? What does he have that I don't?"
Courtney glanced up briefly as the bell on the door dingled, signaling Miss Tate's departure. "Trust me," she said as she scribbled on her pad, "you wouldn't believe me if I told you."
*****************************************************
2:30 p.m.
Mrs. Bruce's rooming house
Sweating profusely, Courtney stepped gratefully into the cool of the front hallway and started slowly up the steps. It was beastly hot today; just the walk home had taken its toll on her. Not having slept much last night hadn't helped; the phone had rung over and over, six to eight rings about once every hour, and she hadn't been able to bring herself to pick it up. It was undoubtedly her father calling, and he would undoubtedly be frantic that she wasn't answering, but she just wasn't ready to talk to him yet. She should probably just answer the phone and tell him that instead of leaving him to imagine what could have happened to her in the proximity of Covari, but she dreaded that conversation almost as much as she dreaded seeing Dee again.
Reaching the top of the stairs, Courtney glanced over at Dee's closed door. Dee wouldn't be going to the diner; business had been slow after the morning rush, filming having apparently taken place somewhere outside town. Mr. Parker had called his extra waitresses and told them to stay home today, wisely deciding to build future work schedules around the filming schedule. I should go over, Courtney thought, hesitating at the top of the stairs. She should.....but she wasn't in the mood for that either. She wasn't in the mood for much of anything these days, and she unlocked the door to her room just as the phone rang again.
Courtney sank onto the bed and put her hands over her ears. Why did the Warders have to pick a world with such backward technology that they couldn't silence their communication devices? She'd seriously considered disconnecting the phone last night just so she could get some sleep, but that would have truly panicked her father. Like not answering didn't, she thought ruefully, imagining her father standing in their front hallway in the middle of the night as the phone rang and rang, wondering where she could be. And here she was not answering again, panicking him again, assuming he'd ever stopped. Everything she touched just went to hell these days.
"Would you like me to get that?"
Dee was in the doorway, looking every bit as awkward and uncertain as Courtney felt. "Where's Philip?" Courtney asked.
"Asleep," Dee answered. "He actually conked out early today. That phone's been ringing all morning," she added. "Over and over. If that's your father, he must be really worried."
"I'm sure he is," Courtney admitted, "but having you answer isn't going to make him any less worried."
"You sure?" Dee asked as the ringing continued incessantly. "I could tell him you're in the bathroom."
"And then he'd think you'd killed me if I didn't call back in short order," Courtney said. "What I'd really like is a way to shut that thing up without disconnecting it."
"You mean like turn the bell off? That would be nice, especially since we have to sleep in the same room as the phone. Maybe Malik could fix it to work that way."
"No thanks," Courtney said quickly, refraining from pointing out that she'd rather listen to the phone ring all day and all night then be anywhere near a Covari.
The ringing stopped, sending a wave of guilt her way as she imagined her frantic father hanging up on his end. "You're going to have to answer it some time, you know," Dee said gently.
Courtney gave her a skeptical look. "Why do you care? I thought you didn't want anything to do with me."
"I didn't say that," Dee said levelly. "I said I didn't want you watching my son, that's all. You can hardly blame me under the circumstances." She paused. "I heard you found my Mama."
"She found me," Courtney corrected. "It was nice to talk to somebody's mother, even if she wasn't mine."
"She seems to be in a much better mood now that I've moved out," Dee observed. "And now you think I'm crazy for being mad at her, I'll bet."
Courtney shook her head. "No. Mothers are always harder on their own daughters. God knows mine was."
"You fought with your mother?"
"All the time. She didn't want me to go into the military. Never mind that my father was in the military, and all my brothers went into the military, and lots of my friends were going into the military; for some reason, I wasn't supposed to. Needless to say, I did anyway.....and now I'm not there so she can say 'I told you so'."
"If all your brothers are in the military, then why didn't one of them come too?" Dee asked.
Courtney smiled bitterly. "Because I'm better leverage. I'm the youngest, the least trained, and the one my father worries about the most. And the best one to keep him in line."
"Geez," Dee muttered. "I don't like the people you work for."
"Neither do I," Courtney sighed. "Neither do I."
They sat in silence on the bed for a moment, each lost in their own thoughts. "Malik talked to Jaddo," Dee said suddenly.
Courtney's heart nearly stopped. "He....he told him? About me?"
"Of course not," Dee said. "Do you really think you'd still be alive if he'd done that? It was just a hypothetical conversation, a 'what if' kind of thing."
"And?"
"And Jaddo said he would only deal with someone he'd dealt with before, from the last time your people tried to talk to his Ward. Is there anyone here like that?"
Oh, no. Courtney's heart went from racing, to slowing, to sinking as she realized what that meant. "My father led the delegation who approached Rath, but—"
"Then there's someone here he'd recognize," Dee said. "That's good!"
"That's bad," Courtney corrected. "He's wearing a husk and is virtually unrecognizable."
"Can't he take his husk off?"
"Not without killing the husk," Courtney answered. "Our husks.....connect with us. Break those connections, and they won't reform."
"Does he have a spare husk? Could he take off one and put on another?"
"No one has a spare husk," Courtney said. "That was made very clear to us on the way here, that we had to be very careful with our husks because they take such a long time to grow."
"So," Dee said slowly, "he can't identify himself without killing himself in the process."
"Exactly."
Dee was quiet for a moment. "There has to be a way to work this out," she said finally, with the conviction of one who just didn't understand. "We'll find a way."
Courtney managed a wan smile. "Sure we will."
The phone rang again, sounding louder than ever. "Are you sure you don't want me to answer that?" Dee offered.
"No, thanks," Courtney said quietly. "I'll get it."
Dee rose from the bed, pausing by the door. "Come on over after you talk to him. If you want. I don't mind."
"Okay," Courtney whispered.
Dee closed the door behind her as Courtney stared at the ringing phone. Here she'd been justifying not answering on the grounds that she had nothing to report. She should have answered it before, when she didn't have to tell the leader of the resistance that any chance of accomplishing their mission had just evaporated.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I'll post Chapter 30 next Sunday.
